DOW-UAP-PR159, Historical Film of Reported UFOs, Utah, 1952
WAR.gov / Department of War PURSUE Release 06
This archival footage is a digitization of a 16mm print of Kodachrome color motion-picture film shot on a handheld Bell & Howell Auto Master camera near Tremonton, Utah, on July 2, 1952.
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Source: official WAR.gov/DVIDS media link
- Duration
- 00:01:10
- Date taken
- 1952-07-02
- Date posted
- 2026-09-18 07:15
- Location
- TREMONTON, UTAH, US
- VIRIN
- 520702-D-D0360-8575
- Filename
- DOD_111985807
- Category
- B-Roll
- Credit
- DVIDS / U.S. Department of War
Source: DVIDS / U.S. Department of War. The appearance of U.S. Department of War visual information does not imply or constitute DoW endorsement of From Beyond Space or its content.
DVIDS copyright and usage noticeOpen the original DVIDS pageMetadata and descriptions are reproduced as source metadata and do not represent an independent FBS determination.
Background
This archival footage is a digitization of a 16mm print of Kodachrome color motion-picture film shot on a handheld Bell & Howell Auto Master camera near Tremonton, Utah, on July 2, 1952. U.S. Navy Chief Warrant Officer Delbert C. Newhouse reported observing and filming a group of bright airborne objects and shortly thereafter submitted the footage to the U.S. Air Force. The film later became one of the visual cases reviewed by Project Blue Book, the 1952β1969 U.S. Air Force program that investigated the nature and origin of unidentified flying objects (UFOs). The filmβs limited detail and lack of fixed reference points prevented a conclusive resolution. From the 55-second mark onward, the film transitions to unrelated footage appearing to show a demonstration of sewing equipment. The presence of unrelated sewing-equipment footage suggests that the surviving footage may be a composite or reused print, though the available record does not establish how or when the materials came to be combined. As documented in records submitted with the film, contained in this collection under the title DOW-UAP-D102, the footage originally was paired with mountain scenery from Idaho, which is not preserved in this digitization.